About Director Bobbi Jo Hart


Bobbi Jo Hart has passionately directed “up close and personal”, award-winning documentaries for 20 years, often filming alone to obtain greater intimacy with her characters. Rebels On Pointe follows her last award-winning feature documentary I Am Not a Rock Star, which toured worldwide festivals — from Thessaloniki to Palm Springs, Vancouver to Krakow — winning many awards along the way — including two Canadian Screen Awards (for Best Performing Arts Documentary, Best Editing & nomination for Best Direction) then was picked up by many global networks like Documentary Channel, BBC4 and SVT and subsequently released on VOD via iTunes, Amazon, Google Play, etc. 


Film critic reactions to Hart’s last award-winning feature documentary film
I Am Not a Rock Star:


Entertaining diva antics…”  Boyd van Hoelj,VARIETY

Bobbi Jo Hart attains such graceful intimacy” – Basil Tsiokos, Sundance FF

Engrossing…” – Natalie Atkinson, The National Post

Dramatic” – T’Cha Dunlevy, Montreal Gazette

A fascinating portrait” – Jean Siag, La Presse





2015 RISE



2003 SHE GOT GAME: Behind-the-Scenes of the Women's Tennis Tour



About Adobe Productions International


Run by acclaimed producer & director Robbie Hart, Adobe Productions International company has produced award-winning documentary features, series and one offs for nearly 30 years. By building bridges of mutual understanding between countries and cultures, Adobe brings to life international documentaries that capture the human spirit, reanimating the sober, statistical documentary with an injection of emotion, complexity and universality. Adobe’s trademark “up close and personal” approach delivers films committed to letting subjects tell their own stories. Since 1986, over 60 documentaries have been produced, many with theatrical release, global festival recognition and distribution to international television markets.


About Les Ballets Trockadero de Monte Carlo


Les Ballets Trockadero de Monte Carlo was founded in 1974 by a group of ballet enthusiasts for the purpose of presenting a playful, entertaining view of traditional, classical ballet in parody form and en travesti, Les Ballets Trockadero first performed in the late-late shows in Off-Off Broadway lofts. The Trocks, as they are affectionately known, quickly garnered a major critical essay by Arlene Croce in The New Yorker, and combined with reviews in The New York Times and The Village Voice, established the Company as an artistic and popular success. By mid 1975, the Trocks' inspired blend of their loving knowledge of dance, their comic approach, and the astounding fact that men can, indeed, dance en pointe without falling flat on their faces, was being noted beyond New York. Articles and notices in publications such as Variety, Oui, The London Daily Telegraph, as well as a Richard Avedon photo essay in Vogue, made the Company widely know both on a national and international level.The Trocks’ numerous tours have been both popular and critical successes - their frenzied annual schedule has included performances in over 35 countries and over 600 cities worldwide since its founding over 40 years ago.

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